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Tuesday, 25 August 2015

Peter Abrahams






Biography
 Abrahams' father was from Ethiopia and his mother was classified under apartheid in South Africa as a mixed-race person, a "Kleurling" or Coloured. He was born in Vrededorp, a suburb of Johannesburg, but left South Africa in 1939. He worked first as a sailor, and then as a journalist in London.
Hoping to make his way as a writer, he faced considerable challenges as a South African, as Carol Polsgrove has shown in her history, Ending British Rule: Writers in a Common Cause (2009). Despite a manuscript reader's recommendation against publication, in 1942 Allen and Unwin brought out his Dark Testament, made up mostly of pieces he had carried with him from South Africa. Publisher Dorothy Crisp published his novels Song of the City (1945) and Mine Boy (1946). According to Nigerian scholar Kolawole Ogungbesan, Mine Boy became "the first African novel written in English to attract international attention." More books followed with publication in Britain and the United States: two novels --The Path of Thunder (1948) and Wild Conquest (1950); a journalistic account of a return journey to Africa, Return to Goli (1953); and a memoir, Tell Freedom (1954).
While working in London, Abrahams lived with his wife Daphne at Loughton. He met several important black leaders and writers, including George Padmore, a leading figure in the Pan-African community there, Kwame Nkrumah of the Gold Coast and Jomo Kenyatta of Kenya, both later heads of state of their respective countries. In 1956, Abrahams published a roman à clef about the political community of which he had been a part in London: A Wreath for Udomo. His main character, "Michael Udomo", who returns from London to his African country to preside over its transformation into an independent, industrial nation, appeared to be modeled chiefly on Nkrumah with a hint of Kenyatta. Other identifiable fictionalized figures included George Padmore. The novel concluded with Udomo's murder. Published the year before Nkrumah took the reins of independent Ghana, A Wreath for Udomo was not an optimistic forecast of Africa's future.
Abrahams settled in Jamaica in 1956. In 1994 he was awarded the Musgrave Gold Medal for his writing and journalism by the Institute of Jamaica.
One of South Africa's most prominent writers, his work deals with political and social issues, especially with racism. His novel Mine Boy (1946), one of the first works to bring him to critical attention, and his memoir Tell Freedom (1954) deal in part with apartheid. His other works include the story collection Dark Testament (1942) and the novels The Path of Thunder (1948), A Wreath for Udomo (1956), A Night of Their Own (1965), the Jamaica-set This Island Now (1966, the only one of his novels not set in Africa) and The View from Coyaba (1985). He also wrote This Island Now, which speaks to the ways power and money can change most people's perspectives.

Works

  • Dark Testament (1942)
  • Song of the City (1945) 179p, novel, published by Dorothy Crisp & Co Ltd London
  • Mine Boy (1946) published by Dorothy Crisp & Co Ltd London - his seminal novel, the first author to bring the horrific reality of South Africa's apartheid system of racial discrimination to international attention.
  • The Path of Thunder (1948)
  • Wild Conquest (1950)
  • Return to Goli (1953)
  • Tell Freedom (1954)
  • A Wreath for Udomo (1956)
  • A Night of Their Own (1965)
  • This Island Now (1966)
  • The View from Coyaba (1985)
  • The Black Experience in the 20th Century: An Autobiography and Meditation (200

Pacesetters

Pacesetters Novels are collection of 130 fiction novels written by notable African authors. The series was started in 1977 with the first book called "Director!" by Agbo Areo.
Titles
  • 1. A Picture Of Innocence
  • 2. Agony In Her Voice
  • 3. Angel Of Death
  • 4. Anything For Money
  • 5. The Betrayer
  • 6. Bitter Consequences
  • 7. Bittersweet
  • 8. The Black Temple
  • 9. Blackmailers
  • 10. Bloodbath At Lobster Close†
  • 11. Bonds Of Love
  • 12. Border Runners
  • 13. Camera Never Lies
  • 14. Cherished Dreams
  • 15. Child Of The Rainbow
  • 16. Child Of War
  • 17. Christmas In The City
  • 18. Circle Of Betrayal
  • 19. Coup!
  • 20. Cross-Fire
  • 21. The Cyclist*
  • 22. Danger Express
  • 23. Dangerous Inheritance
  • 24. Dangerous Waters
  • 25. Dead Of Night
  • 26. Deadly News
  • 27. Dealers In Death
  • 28. Death Is Woman
  • 29. Dela Boya-African Detective
  • 30. The Delinquent
  • 31. Desert Storm
  • 32. Director!
  • 33. Double Dating
  • 34. Double Trouble
  • 35. A Dream Called September
  • 36. The Equatorial Assignment
  • 37. Europeans Only?
  • 38. Evbu My Love
  • 39. The Extortionist
  • 40. Felicia
  • 41. Finding Francis
  • 42. Finger Of Suspicion
  • 43. For Better For Worse
  • 44. For Mbatha And Rabeka
  • 45. Forever Yours
  • 46. Forgive Me Maryam
  • 47. Fran Molala/Merc Affair
  • 48. A Fresh Start
  • 49. Frozen Fire*
  • 50. Give Me Money
  • 51. Gun Merchant
  • 52. Harvest Of Love
  • 53. Have Mercy
  • 54. Hopeful Lovers*
  • 55. The Hornet's Nest
  • 56. The Infamous Act
  • 57. The Instrument
  • 58. A Kind Of Marriage
  • 59. The Last Aloe
  • 60. Life Is A Lottery
  • 61. Lost Generation
  • 62. Love
  • 63. Love Letters
  • 64. Love Match
  • 65. Love On The Rocks
  • 66. Love's Dilemma
  • 67. Mark Of The Cobra
  • 68. The Mating Game
  • 69. Meet Me In Conakry
  • 70. The Money Doublers
  • 71. Money Road
  • 72. Moses and the Gunman
  • 73. Naira Power
  • 74. Nanasi Girl
  • 75. Night Of Full Moon
  • 76. On The Road
  • 77. Operation Rhino
  • 78. The Other Side Of Town
  • 79. Pains Of A Maid
  • 80. Poisoned Bait
  • 81. The Politician*
  • 82. Possessed!
  • 83. The President’s Son
  • 84. Race Against Rats
  • 85. Rassie
  • 86. Remember Death
  • 87. Rich Girl, Poor Boy
  • 88. Runaway Bride
  • 89. The Schemers
  • 90. Sea Running
  • 91. Second-Hand Love
  • 92. Secret Blood
  • 93. Shadow Of A Dream
  • 94. Shadow Of Death
  • 95. Shameful Sacrifice
  • 96. Sisi
  • 97. Small Affairs
  • 98. The Smugglers*
  • 99. Something To Hide
  • 100. South African Affair*
  • 101. Spears Down
  • 102. State Secret
  • 103. Stone Vengeance
  • 104. Stop Press: Murder!
  • 105. Stranger’s Son
  • 106. Sunset At Noon
  • 107. Sweet Revenge
  • 108. Symphony-Destrst
  • 109. Teardrops At Sunset
  • 110. Tell Me No More
  • 111. The Legacy
  • 112. Thorns Of Life
  • 113. To Have & To Hold
  • 114. Tobacco Smoke
  • 115. Too Cold Comfort
  • 116. Too Young To Die*
  • 117. Treasure
  • 118. Truth Will Out
  • 119. The Undesirable Element
  • 120. Vicious Circle
  • 121. Wages Of Sin
  • 122. What The Future Holds
  • 123. When Love Dies*
  • 124. Where Children Play
  • 125. Who Killed Mohtta?
  • 126. Who Really Cares
  • 127. Women For Sale
  • 128. The Worshippers
  • 129. You Never Know
  • 130. Zero Hour

Thursday, 13 August 2015

Chinua Achebe


A Love Rekindled by Myne Whitman (Author)

When Efe Sagay receives a transfer to the branch of a prestigious hotel chain in the Nigerian capital, she accepts it, happy to return home to family after years in the United States. Also, Nigeria is a big place, right? There should be nothing about her new city, Abuja, to remind her of the heartbreak of her relationship with ex-fiancé, Kevwe Mukoro.

However, Efe is facing Kevwe across an office seven months later, swamped by emotions she'd thought were dead. When Kevwe claims he's never stopped loving her, and asks why she abandoned him, Efe stomps off, incensed. It was the other way around!

But they are unable to stay away from each other, and buried desire flares. Ultimately, passion is no match for the bitter memories of broken promises. Efe and Kevwe have to resolve the traumatic events of the past before love can be rekindled.

The Famished Road

Culled from wikipedia

The Famished Road is the Booker Prize-winning novel written by Nigerian author Ben Okri. The novel, published in 1991, follows Azaro, an abiku or spirit child, living in an unnamed most likely Nigerian city. The novel employs a unique narrative style incorporating the spirit world with the "real" world in what some have classified as magical realism. Others have labeled it African Traditional Religion realism. Still others choose to simply call the novel fantasy literature. The book exploits the belief in the coexistence of the spiritual and material worlds that is a defining aspect of traditional African life.

Plot synopsis

Azaro is an abiku, or spirit-child, from the ghetto of an unknown city in Africa. He is constantly harassed by his sibling spirits from another world who want him to leave this mortal life and return to the world of spirits, sending many emissaries to bring him back. Azaro has stubbornly refused to leave this life owing to his love for his mother and father. He is the witness of many happenings in the mortal realm. His father works as a labourer while his mother sells items as a hawker. Madame Koto, the owner of a local bar, asks Azaro to visit her establishment, convinced that he will bring good luck and customers to her bar. Meanwhile, his father prepares to be a boxer after convincing himself and his family that he has a talent to be a pugilist. Two opposing political parties try to bribe or coerce the residents to vote for them.

Characters

  • Azaro is the story's narrator. He is an abiku, or a spirit child who has never lost ties with the spirit world. He is named after Lazarus, of the New testament. The story follows him as he tries to live his life, always aware of the spirits trying to bring him back.
  • Azaro's father is an idealistic load-carrier who wants the best for his family and the community. He suffers greatly for this, eventually becoming a boxer and later a politician. Azaro's father loves him deeply, but is often bitter at having an abiku and occasionally goes on angry violent tirades.
  • Azaro's mother works very hard selling anything she can get her hands on for the family. She cares for her family deeply and constantly gives up food and security for her family and their ideals. She is proud that Azaro is her son and goes to great lengths to protect him.
  • Madame Koto is proprietress of a local bar. She has a liking for Azaro, though at times is convinced he brings bad luck. She starts out as a well-meaning woman, trying to get along with everyone else. However, as the story progresses, she becomes richer, siding with the political Party of the Rich, and is often accused of witchcraft. She tries to help Azaro and his family on numerous occasions but seems to try to take Azaro's blood to remain youthful.
  • Jeremiah, the Photographer is a young artist who brings the village to the rest of the world and the rest of the world to the village. He manages to get some of his photographs published, but practices his craft at great personal risk.
  • The Landlord supports the Party for the Rich and is angry with Azaro's family for causing troubles to him and his compound.

Legacy

The novel was the inspiration behind the lyrics to Radiohead's single "Street Spirit (Fade Out)".

MYNE WHITMAN



Myne Whitman is the author of two romance novels, ‘A Heart to Mend’, and ‘A Love Rekindled’, and, if I may be so daring as to say so, the resurrector of the romance genre in modern Nigerian literature. Her achievements go far beyond being a Kindle UK bestseller, as in years since her inspired contributions on the Narialand forum – where I first chanced upon her – she has helped aspiring Nigerian writers find an audience through her websites, Mynewhitmanwrites and Naijastories. As she launches volume one of the Naija Stories anthology: ‘Of Tears and Kisses, Heroes and Villains’, Myne takes time out to share her thoughts on how she’s spectacularly exceeded her modest forecast of  selling a hundred copies of her first book; the hi-falutin minds of the Nobel Prize panel; and The Road that, sadly, remains famished despite having claimed the Booker Prize.
Which of your major characters would you like to be trapped on a desert island with?
I find Kevwe, the main character in my second novel, A Love Rekindled, very intriguing. He’s strong and at the same time is very open with his emotions, not afraid to admit he’s sensitive, something most men are loath to do. I’ll definitely like to spend some more time with him.
What is the first thing you remember writing?
Apart from the usual compositions in primary school, I remember writing short stories about two girls getting into adventures during travels with their parents in Nigeria. I must have been between 10 and 13 then. Unfortunately, since we moved cities and homes, I don’t know where those early writings are now.
Where/when or with whom have you been most impressed to see a copy of your work?
Since I sold more than 100 copies of my first book, A Heart to Mend, I’m impressed each time I find that another of my books has sold. That was the number of followers on my blog, and the figure I gave my partner when he asked for a realistic estimate before we embarked on the publishing journey. Since then AHTM has gone on to become a Kindle UK bestseller with over 20,000 copies downloaded. Now that is amazing!
What one book by another author do you wish you’d written?
I’m lucky not to have that feeling about books. I thrive on variety and on prisms. I crave different sides to many views, but I have only experienced so much, or know so little. So for me, books are a way to reach out and embrace the world through the eyes and minds of various authors. The book wouldn’t be same if I had written it, and I don’t wish I had.
Name one author that you consider overrated.
This seems disrespectful, but did The Famished Road really win that award?
Achebe or Soyinka?
I may be a bit biased since I recently met Wole Soyinka at the 2010 Garden City Literary Festival. Anyway, it’s been years since I read any of their literature, and it was mostly for school coursework. I’ve read their essays more recently, and both are minds we need to pay attention to. In terms of what each is doing, I’ll say they are on different sides of the divide; Soyinka is more political while Achebe stays truer to the pen.
Sell a million copies or win the Nobel Prize for literature?
Definitely sell a million copies. I’ll rather influence and touch the minds of a million people, shape their world view and affect how they understand and perceive life occurrences. Titillating the hi-falutin minds of the few people on the Nobel Panel sounds nice, but I want more than personal aggrandizement. The agenda is world domination. LOL…
Write one classic or have a sustained career of good books?
Similar to the above, I’ll like a sustained career of good books. What is a classic by the way, something that stuffy collars in an ivory tower somewhere decide to put in the curriculum? There’s also that I won’t like to be defined by just one work, something like a one trick pony.
Best perk of being a writer?
Having the opportunity to give rein to my imaginations, to create and be more than I am.
Worst thing about being a writer?
The discipline that is actually required, and how little in real money terms it usually pays.
Remember your best and worst reviews? Let’s hear them.
The best was from the very first review from a person who did not know me at all, not even my blog. The worst is the only one star I have on Amazon. Also by someone I probably don’t know. The beauty in all is realizing they weren’t personal in any way.
If you could exchange your writing for another creative talent what would it be?
Painting and drawing. I used to be able to do that but haven’t tried in a long while.
On a scale of one to five, how much would you say the characters in your books are based on real people? Could you give an example? Particular real people?
Maybe one, if that. Can I find examples of people who share characteristics with my characters, very possible.
What book are you ashamed to admit that you haven’t read?
I read pretty voraciously growing up, and I’m lucky I have the time and inclination to still read now.
What is your guilty reading?
Reading when I’m supposed to be doing something else? LOL…
What’s the most challenging part of your creative process?
Starting a new project.
And the most pleasurable?
Writing a scene with lots of drama, dialogue, emotion. It can be pretty satisfying.
What are you likely to be most critical about in other authors’ work?
Too much philosophy stuffed in the mouth of characters.
If you could bring something back from the past what would it be?
I try to remain carefree but it’s hard not to wish for childhood and not worry about all the little things as an adult.
What’s next?
A new book soon, and a publishing company.